The central femme who is fatale is delightful though. She starts out as one of those sympathetic characters who shouldn't be sympathetic. As the film wears on she becomes at first delightfully evil and then just evilly evil. It was at this point I began to wonder where all this vitriol for attractive women came from and began trying to think of cute ways to say 'misogynist.' But then (sweet redemption,) she is a good bad girl again! So I concede, my emotions were well manipulated. Good show De Palma. I was entertained, but begrudgingly so. So, as I often say in these cases, you win this time, De Palma. You win this time.
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